英文著名科幻小说
威尔斯这部发表于1898年的科幻小说《世界大战》，被斯皮尔伯格搬上大荧幕。小说对外星人的外貌特征进行了直接描写，这也成了后来20世纪美国科幻小说“黄金时代”的一大特征。
⑵ 英文科幻小说
登录科幻世界杂志社旗下的“天空之城”论坛（bbs.sfw.com.cn），会找到你想要的信息的，而且现在科幻世界正在寻找优秀的译者加入他们的翻译团队。
⑶ 求科幻小说英文版本的呵呵
我知道有个外国网站叫SCIFI.COM里面都是科幻小说
sci-fi
n.
science fiction的简写, 科幻小说
地址如下：http://www.scifi.com/
⑷ 求一本英文科幻小说的名字
1.《白色魔力》[美] 劳莉·菲利亚·斯道勒兹
2.《地球杀场》[美] L·罗恩·哈伯德
3.《地球使命：入侵者计划》[美] L·罗恩·哈伯德
4.《计算中的上帝》[加] 罗伯特·J·索耶
5.《蓝色噩梦》[美] 劳莉·菲利亚·斯道勒兹
6.《绿色天使》[美] 爱丽丝·霍夫曼
7.《罗伯特·海因来因短篇小说集》
8.《美丽新世界》[法] 阿道斯·赫胥黎
9.《人格裂变的姑娘》[美] F·R·施赖勃
10.《日本沉没》[日] 小松左京
11.《宇宙漂流记》[日] 小松左京
12.《星船伞兵》[美] 罗伯特·海因莱因
13.《邪魔女巫》[美] 杰弗里·亨廷顿
⑸ 世界十大科幻小说是什么
《末日极限逃亡》《星宇战甲》《末世至强者》《囚天》《星球博物馆》《时空密码》《星宇漫游记》《过客行》
这几部科幻末世的小说是我在有看书社看的，也是这个公众号我觉得比较不错的
⑹ 名胜,科幻小说,用英语怎么说急急急!!!!!!!!!
名胜
key point of interest / place of interest / a place of interest / sights / scenic spot
科幻小说 science fiction / sci-fi
⑺ 高考英语科幻小说推荐
同学我通过了上海高级口译，我的经验应该还是有参考价值的。所谓“直面高考的英文科幻小说”是没有这种东西存在的。经典的科幻小说多会提凡尔纳的作品，《海底两万里》《八十天环游地球》等。另外我不是很懂你读的是什么班，一般很少要求看科幻小说的；因为科幻小说专有名词太多，这些单词大都又难记使用频率也低，对高考没什么大用处。而且看英文原版小说对英文综合能力要求很高，像你的水平硬要去看，只会吃力不讨好，进步慢且劳心劳力，高二了也耗不起这个时间。我的建议是：你如果需要增加科技方面的词汇，找这方面的报刊来看，新闻、科普介绍短文都行。还有，我认为最有效的应付高考英文作文的方法是，找一本高考作文范文、模板方面的书（要尽量新一点的和你们现在的题型类似的，不然就白背了）每种文体、每种题材等的范文都下苦功背个一两篇，高考怎么考都不怕。这是我的经验谈，希望能帮上忙。
⑻ 世界上最短的英文科幻小说
就25汉字 自己翻译下吧
25字科幻小说
美国近代著名科幻小说家弗里蒂克·布朗曾写过一篇就目前来说，堪为世界上最短的科幻小说。把它译成现代汉语恰好是25个字，仅仅只有一句话：
地球上最后一个人独自坐在房间里，这时，忽然响起了敲门声……
尽管只有一句话，但它同样具备了小说的特点。就小说的三要素而言，有人物（一个人）、有情节（一个人独坐，听到敲门声）、有环境（仅有一人的地球上的某房间里）。科幻，重在科学幻想，其最为显著的特征就是：擅长夸张、制造悬念，给读者设置自由而广阔的联想、想象等思维空间。这25个字促使读者追究、探求的问题太多了——
地球上怎么会只剩下一个人？其他人都到哪里去了？是去往别的星球还是都死了？如果死了是因为什么而死的？既然地球上仅剩一个人，那么敲门的又是谁呢？是人类，是外星人，还是其它高智能的动物？这最后一个人是否去开门？开门后将看到什么？如果是外星人，他们能够通过语言来沟通彼此的情感吗？……最后故事又将会怎样发展？……总之，将会使每个读者都产生多维而丰富的联想和想象，有一百个读者，就会有一百个关于“地球上最后一个人”的故事。
⑼ 世界上最短的科幻小说的英文版
美国近代著名科幻小说家弗里蒂克·布朗曾写过一篇世界上最短的科幻小说。仅仅只有一句话:"地球上最后一个人独自坐在房间里,这时,忽然响起了敲门声……"
⑽ 求一篇1500词左右的英文科幻小说
Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.
The fourteen stories included vary in scope, size and length. The book starts strongly with 态est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 态uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.
Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.
Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.
There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.
With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.
My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.
Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)
There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.
All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.
To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.
Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.
Haunting, resonant, melancholic ?a collection that richly deserves its awards.
Hobbit, October 2006