英文钢琴之恋小说阅读

『壹』 求一篇《钢琴之恋》的500词英文读后感

Is having the mood which a little has doubts, today watched this very classical movie finally. Actually through the synopsis, knew that content a little” strange “, what wants to look originally was "Piano Teacher" actually has no intention to hit the mark this movie, but the present looks like, was truly very good! Inside watches the movie, in the brain playbacks these moving piano musics unceasingly, the inside music truly very can move the will of the people, even if the leading lady had not said from beginning to end a dialog, but the inside piano music truly spread her aspiration! Without the dialog, perhaps only then music, can arouse audience's sympathy, causes the infinite daydream! This movie to the leading lady, the performing skill aspect test is not truly small, but I am very satisfied. The Houley Hunt's eye truly will speak! The complete movie, her performance is very steady, the role is very complete! Actually goes into seriously, this role's innermost feelings are very complex, under the tranquil semblance is covering like sea general profound, broad. As for male and female lead between that section “??”Love, please forgive me not to know truly how should describe. All have the piano to start, a key trades a desire, the rare actor wants to result in comes out (to be actually screenwriter), liked depth of the qin leading lady complying unexpectedly. The desire infinite expansion, moved the leading lady finally in the final time, love of the piano started from this. What a pity the high tide partially crosses is too too quickly hurried. Finally, the affection can help, the piano crashes into the sea, all had “newborn”. This is one tranquil and not the tranquil movie, a thought-provoking movie.

带着有点疑惑的心情，今天终于看了这部十分经典的电判碧影。 其实通过简介，知道内容有点”离奇“，原本想看的是《钢琴教师》链烂却无意点棚冲漏中了这部电影，但现在看来，确实很不错！ 看完影片，脑子里不断回放里面那些动人的钢琴曲，里面的音乐确实很能打动人心，即使女主角从头到尾没有说过一句对白，但里面的钢琴曲确实传出了她的心声！没有对白，只有音乐，或许更能引起观众的共鸣，引起无限的遐想! 这部电影对女主角来说，演技方面的考验确实不小，但我个人挺满意的。霍利•亨特的眼睛确实很会说话！全部电影，她的表演很稳，角色很完整！其实深究，这个角色的内心是十分复杂的，平静的外表下掩盖着的如大海一般深邃，广阔。 至于男女主角间那段“？？”的爱情，请原谅我确实不知道该怎样形容。一切有钢琴开始，一个琴键换一个欲望，难得男主角想得出来（其实应该是编剧），爱琴之深的女主角竟然答应了.欲望无限扩大，在最后时刻终于打动了女主角，钢琴之恋由此开始。可惜高潮部分过得太快太匆忙。最后，恋情得以成全，钢琴坠入大海，一切都有了“新生”。 这是一部平静而又不平静的电影，一部令人深思的电影。

『贰』 读《钢琴之恋》有感 英文 120字

一个叫托尼的英国小男孩他家很穷，他有五个弟弟妹妹，他是老大，为了帮助父母养家，13岁从学校出来后就到农场里工作，一个以外的机缘他有了一架旧钢琴，他是个天才，一接触钢琴就可以弹美妙的曲子，以后他就偷偷的练琴，小学老师戈登发现了他的音乐才能，无私的帮助他，免费给他上课，他的农场主老板伍德友逗先生也支持他弹琴。这些在好心人的帮助下，托尼参加了镇上的钢琴比赛并获得第一名的成绩！他走近了音乐学院，他成长为一个钢汪春琴家安东尼埃文斯的，并且当他被邀请到英国白金汉宫为女王演奏后成为了安东尼埃文斯爵士。

小男孩托尼在音乐方面的天才使我想起了王安石笔下的天才方仲永，可他两个的经历不同结果就不一样。托尼工作之余刻苦勤奋的练琴、学琴，使自己沉浸在音乐的世界里，最终扬名天下！而仲永却依仗自己的才华被他的父亲带着四处拜访、炫耀、赚钱，“不使学”，结果落了个“泯然众人矣”的下场。天才必须加上自己的刻苦勤奋才能成才！

托尼出身贫寒，小的时候在学校克拉夫人在音乐课上的唱歌、弹琴，对他有一定的影响，再有就是小镇上偶尔有意大利流浪歌手的弹琴、唱歌，让他有点印象，可以说他几乎没有受到什么很好的音乐教育。困告耐他对钢琴的爱恋是内心的、是天才的！光靠天才是不等成功、成名的。戈登老师在托尼的生活中就像伯乐一样，发现了他的音乐天才，并帮助他、教育他。伍德一家人也在托尼的钢琴学习上给予了很大的物质、生活上的帮助。

这个故事给我的启示很多：成才需要勤奋！一个人的成功是多方面促成的，只靠个人是不行的，所以我们要乐于帮助别人，“给人玫瑰，手留余香”！

『叁』 《钢琴之恋》旳英语读后感，500字。

the novel is rich in poetry, symbolism and metaphor. it does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of austen, or a straightforward gothic romance in the style of mrs radcliffe. what charlotte bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial. the novel is written in the first person, and thus magnifies the central character - the reader enters the world of jane eyre and is transported through her experiences at first hand. this at once makes the work subjective, especially since we know that charlottes brontes own life and experiences were so closely interwoven with the heroine's. as well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with rochester - thus the narrative is retrospective (looking back). cb is clever in blending the narrative so that at times jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. the indecision which is a central issue in the book, is heightened by this device. we never know, as readers, whether to be entirely trustful of janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely. this intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of je's life. can we believe what the heroine says, or is she deceiving herself? the novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. the supernatural has its place, as do dreams, portents and prophesies. the heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present. the romantic element is present in two forms in jane eyre; the "family" aspect is dealt with in the gateshead, lowood and moor house episodes, which involve the exchanging of the wicked reed family for the benevolent rivers one; and the love romance is dealt with in the thornfield and ferndean episodes. both aspects are, of course linked and interwoven throughout the novel. there is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.the sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. the central characters are also realistic and their confrontations and sufferings change them in a believable way. even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on mason, for instance) the more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength. the gothic influence cannot be ignored, although cb has refined the technique considerably from the "authentic" gothic of the 1790's. in the original genre, the heroine would typically be abcted and threatened with section, or worse!. there would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "know that i adore corsairs!" and he would lock the girl up in a remote castle. there was little freedom for middle class women ring the period of the gothic novel, and this was still the case in the time of cb. marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. a woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. men, on the contrary, were potent and free; lovers and mistresses were common. ironically the women who provided their services were social outcasts as a result. in jane eyre we see elements of the gothic romance, in that thornfield hall and rochester are described very much in the brigand/castle style but jane eyre is not abcted by r. on the contrary she chooses to go there of her own free will. and she is clear in her determination to have rochester as a husband. neither is there a gentleman rescuer; st john rivers may look like a greek god, but he is neither kind nor benevolent; driving jane back to ferndean, not rescuing her from it. the trials which the hero is supposed to undergo in a gothic romance are in fact undergone by the heroine in jane eyre. the bandit rochester is only skin-deep. underneath the brooding exterior is a sensitive soul, which a woman frees. in this way we see that cb created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to victorian convention.!

『肆』 英语《钢琴之恋》读后感

An Analysis of Jane Eyre

The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.

The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.

This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.

The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.

There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.

Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)

The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.
The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abcted and threatened with section, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.

There was little freedom for middle class women ring the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.

In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abcted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.

The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!
你可以自己再修改下哦!!!

『伍』 《钢琴之恋》英语读后感 初二水平的

如下：

The little boy in this story is not good at school. He is not good at either Chinese or mathematics. He likes singing with other children, but he doesn't sing very well.

这个故事里的小男孩在学校成绩不好，无论是语文还是数学他都不擅长。汪宽键他喜欢和其他孩子一起唱歌，但唱得不困巧十分出色。

He failed in his first job search. Although he is a good boy, he has no special talent. One day, however, he found a piano and found that he could play it.

他第一次找工作就失败了。他虽是个好孩子，但没什么特殊的才能。然而有一天，他发现了一巧笑架钢琴，他还发现自己会弹琴。

People say she found music, but I think it found him.

人们说她发现了音乐，但我认为是音乐找到了他。

Anthony's childhood had something in common with each of us, but he just worked silently.

安东尼的童年和我们每个人都有过相同之处，但他只是默默的努力。

Finally, he was appreciated by people in the palace of music, and perhaps some of them despised him.

最终在音乐的殿堂里得到了人们的赞赏，也许其中还有曾瞧不起他的人。

Don't care what others say, because we can't control others' mouths.

不去在乎别人说什么，因为我们左右不了别人的嘴。

Work hard towards your dream and let others regret in ridicule!

朝着自己梦想的方向去努力，让别人在嘲笑中后悔！