英文著名科幻小說
威爾斯這部發表於1898年的科幻小說《世界大戰》，被斯皮爾伯格搬上大熒幕。小說對外星人的外貌特徵進行了直接描寫，這也成了後來20世紀美國科幻小說「黃金時代」的一大特徵。
⑵ 英文科幻小說
登錄科幻世界雜志社旗下的「天空之城」論壇（bbs.sfw.com.cn），會找到你想要的信息的，而且現在科幻世界正在尋找優秀的譯者加入他們的翻譯團隊。
⑶ 求科幻小說英文版本的呵呵
我知道有個外國網站叫SCIFI.COM裡面都是科幻小說
sci-fi
n.
science fiction的簡寫, 科幻小說
地址如下：http://www.scifi.com/
⑷ 求一本英文科幻小說的名字
1.《白色魔力》[美] 勞莉·菲利亞·斯道勒茲
2.《地球殺場》[美] L·羅恩·哈伯德
3.《地球使命：入侵者計劃》[美] L·羅恩·哈伯德
4.《計算中的上帝》[加] 羅伯特·J·索耶
5.《藍色噩夢》[美] 勞莉·菲利亞·斯道勒茲
6.《綠色天使》[美] 愛麗絲·霍夫曼
7.《羅伯特·海因來因短篇小說集》
8.《美麗新世界》[法] 阿道斯·赫胥黎
9.《人格裂變的姑娘》[美] F·R·施賴勃
10.《日本沉沒》[日] 小松左京
11.《宇宙漂流記》[日] 小松左京
12.《星船傘兵》[美] 羅伯特·海因萊因
13.《邪魔女巫》[美] 傑弗里·亨廷頓
⑸ 世界十大科幻小說是什麼
《末日極限逃亡》《星宇戰甲》《末世至強者》《囚天》《星球博物館》《時空密碼》《星宇漫遊記》《過客行》
這幾部科幻末世的小說是我在有看書社看的，也是這個公眾號我覺得比較不錯的
⑹ 名勝,科幻小說,用英語怎麼說急急急!!!!!!!!!
名勝
key point of interest / place of interest / a place of interest / sights / scenic spot
科幻小說 science fiction / sci-fi
⑺ 高考英語科幻小說推薦
同學我通過了上海高級口譯，我的經驗應該還是有參考價值的。所謂「直面高考的英文科幻小說」是沒有這種東西存在的。經典的科幻小說多會提凡爾納的作品，《海底兩萬里》《八十天環游地球》等。另外我不是很懂你讀的是什麼班，一般很少要求看科幻小說的；因為科幻小說專有名詞太多，這些單詞大都又難記使用頻率也低，對高考沒什麼大用處。而且看英文原版小說對英文綜合能力要求很高，像你的水平硬要去看，只會吃力不討好，進步慢且勞心勞力，高二了也耗不起這個時間。我的建議是：你如果需要增加科技方面的詞彙，找這方面的報刊來看，新聞、科普介紹短文都行。還有，我認為最有效的應付高考英文作文的方法是，找一本高考作文範文、模板方面的書（要盡量新一點的和你們現在的題型類似的，不然就白背了）每種文體、每種題材等的範文都下苦功背個一兩篇，高考怎麼考都不怕。這是我的經驗談，希望能幫上忙。
⑻ 世界上最短的英文科幻小說
就25漢字 自己翻譯下吧
25字科幻小說
美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇就目前來說，堪為世界上最短的科幻小說。把它譯成現代漢語恰好是25個字，僅僅只有一句話：
地球上最後一個人獨自坐在房間里，這時，忽然響起了敲門聲……
盡管只有一句話，但它同樣具備了小說的特點。就小說的三要素而言，有人物（一個人）、有情節（一個人獨坐，聽到敲門聲）、有環境（僅有一人的地球上的某房間里）。科幻，重在科學幻想，其最為顯著的特徵就是：擅長誇張、製造懸念，給讀者設置自由而廣闊的聯想、想像等思維空間。這25個字促使讀者追究、探求的問題太多了——
地球上怎麼會只剩下一個人？其他人都到哪裡去了？是去往別的星球還是都死了？如果死了是因為什麼而死的？既然地球上僅剩一個人，那麼敲門的又是誰呢？是人類，是外星人，還是其它高智能的動物？這最後一個人是否去開門？開門後將看到什麼？如果是外星人，他們能夠通過語言來溝通彼此的情感嗎？……最後故事又將會怎樣發展？……總之，將會使每個讀者都產生多維而豐富的聯想和想像，有一百個讀者，就會有一百個關於「地球上最後一個人」的故事。
⑼ 世界上最短的科幻小說的英文版
美國近代著名科幻小說家弗里蒂克·布朗曾寫過一篇世界上最短的科幻小說。僅僅只有一句話:"地球上最後一個人獨自坐在房間里,這時,忽然響起了敲門聲……"
⑽ 求一篇1500詞左右的英文科幻小說
Though this is a relatively short collection of stories, the strength of the tales inside it is such that they will leave the reader with flashbacks and images for days afterwards. They did me. In fact, days after reading I still remember vividly parts of its contents.
The fourteen stories included vary in scope, size and length. The book starts strongly with 態est New Horror?/I>, which deals with the premise of Eddie Carroll, a jaded horror story editor who is sent a story so memorable that it jolts him out of his malaise. The problem is that the story, 態uttonboy?/I>, is so horrific that many are sickened by it. Nevertheless, the editor sets off to find the mysterious writer, Peter Kilrue, and the story ends with something not expected. This was a very strong tale ?filmic, for reasons that are best left until you抳e read the story, and references that a fan will get.
Reminiscent in tone of Bradbury and Serling, and another famous author more contemporary, this is a collection marinated in genre and societal references; the societal references help create that feeling of normality in stories that are anything but; the genre references, which though not necessarily important to get to enjoy the stories, add another dimension to their narrative.
Fritz Leiber once pointed out that the scary things are not always gothic castles and ghostly spectres, but the unusual things that are part of our normal everyday world. This is something that Joe has clearly understood here. Part Horror, part 1950抯 SF B-movie, part surreal fantasy, the collection covers a broad range with skill, humour and, hell, an empathy for the genre抯 long history.
There are common themes throughout the book. Most of the stories are interwoven around familial relationships?the bonds between mothers/fathers and their daughters/sons - and peer friendships, between the main character and their friends.
With such a variety of interests, not all of the stories worked for me as well as others. Least successful, though still pretty good, was You Will Hear the Locust Sing, a story with a Bradbury-esque title that clearly highlights a respect for the 1950抯 B-Movies of mutant insects. Though initially amusing, by the end it was a little disappointing. Similarly, The Black Phone was a little creepy, though a weaker effort in such a strong collection. With a Weird Tales type ending that Richard Matheson would be proud of, though strong in feel, this one seemed a little too obvious to me.
My 'weirdness award' goes to My Father抯 Mask, which I抦 not sure I still understand, though it is very unsettling to read. Rather Wicker Man to me.
Having said this, most of the stories are very strong. Most successful to me were Voluntary Committal, (the final novella in the book which sympathetically deals with Nolan Lerner抯 brother, Norris, a boy with Aspberger抯 Syndrome, who has a connection with The Twilight Zone), and in a Tales from the Crypt-type tale, Last Breath, which deals with a visit to a very unusual museum. I also really enjoyed The Cape, a story about Eric抯 particular piece of clothing with a special power (or is it just self-belief?)
There are many stories like that in this book. It is a book that reads with deceptive ease, yet is supremely adept at creating ghosts. To illustrate this, Dead-Wood is a story that, in a page-and-a-half, creates an intriguing 憌hat-if?that is simultaneously beautiful, creepy, and haunting.
All good; but perhaps the biggest surprise to me was the story Pop Art, which deals with the story抯 nameless central character and his relationship with his inflatable schoolfriend, Arthur Roth. (Pop Art, get it?) On first reading, the story reads as allegorical whimsy. It takes a writer of skill, which Hill clearly is, to turn that around so that the end of the story is a powerfully moving one. Forget the practical impossibility here ?Joe makes the reader forget the impracticality to create this story with an ending that is almost painful to read.
To summarise, in this book Hill manages to combine hometown dreams and ambitions with the reality of failure, pathos, horror, humour and B-movie kitsch; all of which is achieved with surprising aplomb and an ease and skill that belies this being just labelled as 'an author抯 first book'.
Let's go further than that. Many other long-published authors would kill to be as good as just one of these stories ?it抯 that good. And one of the best story collections I抳e read in years.
Haunting, resonant, melancholic ?a collection that richly deserves its awards.
Hobbit, October 2006